City Hall Willich
TYPOLOGY: Office
COUNTRY: Germany
CITY: Willich
YEAR: 2003
COMPETITION: 2001, First prize
GFA: 2.630 sqm
CLIENT: Stadt Willich
PHOTOS: © Christian Richters, © BOLLES+WILSON
The entrance to Schlosspark Neersen is framed by the parallel sides of the Schloss / City Hall and the new building for the City Hall technical Departments.
With its wide span-cantilevered canopy and transparent facade the new addition presents its functions like a building scale vitrine.
The enclosing back wall is in a discrete and modest industrial brick, in keeping with the suburban surrounds and at the same time a reference to the nearby Mies van der Rohe Haus Lange and Haus Esters.
Wohn und Stadtbau Housing Association Headquarters
TYPOLOGY: Office
COUNTRY: Germany
CITY: Münster
YEAR: 2004
COMPETITION: 2001, First prize
CLIENT: Wohn und Stadtbau GmbH
PHOTOS: © Christian Richters
Entering the city from the north, a straight road, at the apex of its perspectival triangle a silhouette of cathedral and other church towers. Progressing into this picture, slightly downhill the view is gradually obscured, the outer traffic ring crossed.
The next 500 m rise, not a dramatic topography but enough to awaken expectation – ‘up there I will be in the city’. Buildings on the right enclose and to some extent counteract the latent drama of this ascent, this arrival. The left is undergoing a transformation, a re-configuring, a chance for a modulated roofline to enhance topographic character.
This is the intention of the sculpted silhouette of the new offices of the ‘Wohn+Stadtbau’ Housing Association. Its crest location is critical. The structured plaster façades of both volumes do not just echo but enhance site topography and the drama of entrance.
Entering the building involves a counter and smaller scale spatial sequence. The building front steps back from the heavily trafficked street to a transparent foyer. The ground floor facilitates intensive visitor traffic, waiting spaces extend into the internal court and playground.
NEW HIT – Hotel International Tirana
TYPOLOGY: Hotel
COUNTRY: Albania
CITY: Tirana
YEAR: 2016-2025
ARCHITECTS: BOLLES+WILSON with Atelier 4
PHOTOS: © BOLLES+WILSON
New HIT was the working title of this project for the Albanian investor Mr. Ram Geci – it has now been franchised to the INTERCONTINENTAL hotel chain.
Shkodra Football Stadium
TYPOLOGY: Sport
COUNTRY: Albania
CITY: Shkodra
YEAR: 2017
PHOTOS: © Roman Mensing, BOLLES+WILSON
The 2017 football stadium in the northern Albanian city of Shkodra was a fast-track project – Albania had to host the ritual skirmish with Serbia. To marshal Riotous Serbian fans corral-like platforms were built – each restrains 500 fans within the heavy steel perimeter rail. These raked platforms were as naked concrete an illustration of Louis Kahn’s statement (that a buildings sculptural essence is only visible while under construction or as a ruin). The colours of the Shkodra team are a manly pink and light blue. Finished the pink reverse side of the stadium corrals offer a dramatic backdrop for informal urban life. The new main stadium with V.I.P. deck + press box is lit from up lights reflecting on white circles (see sketch). Existing stadiums were upgraded with a wind animated screen.
Housing at St. Sebastian
TYPOLOGY: Residential
COUNTRY: Germany
CITY: Münster
YEAR: 2016
COMPETITION: 2009, 1st prize
GFA: 8.180 sqm
CLIENT: Wohn + Stadtbau GmbH
AWARDS: “Exemplary publicly funded residential projects” – North Rhine-Westphalia Regional Prize for Architecture,
Housing and Urban Development 2017
BDA Münster-Münsterland award for best buildings 2017,
honorable mention
PHOTOS: © Roman Mensing, BOLLES+WILSON
In 2009 BOLLES+WILSON won the 1st prize for housing and a kindergarten on the site of the 1960ies St Sebastian Church. It was expected that the emblematic oval form of the church be demolished. Instead the kindergarten colonized the nave. It was opened in 2013 – a much published reuse with interior green weather protected play decks.
2015 phase 2 was complete, a peripheral frame of housing protecting the kindergarten from a noisy street and giving a precise edge to the adjacent park.
Market realities are clearly visible in the differentiation of the social (subsidized) housing with its bright white and pink plaster facade to Hammer Str. and the owner-occupied flats with their noble dark brick facade facing the mature trees in the park.
One corner tree is explicitly embraced by the projecting white sheet of the street facade.
Only kitchen and bathroom windows are allowed to receive traffic noise; living rooms and balconies turn inwards to the quiet green space surrounding the kindergarten.
Unexpected colour animates the lift and stair tower and the setback roof apartments. This polychrome trope also animates the skyline of the park elevation. Here big white frames give a grand order, a vertical hierarchy. But ultimately it is the grandeur of the existing trees that claim the status of leading actors in the spatial choreography.
