Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Christian Richters

Landscaping Hotel NY

Detail

TYPOLOGY: Landscape

COUNTRY: The Netherlands

CITY: Rotterdam – Kop van Zuid

YEAR: 2006

CLIENT: City of Rotterdam (dS+U), Hotel New York partner

PHOTOS: © Christian Richters

The former embarkation point for emigration to the New World – a ‘Holland/America’ theme. Two landscapes (intimate Dutch gardens and a prairie-like American event- space) are divided by a conceptual border. Large scale text (like a Steinberg drawing) is inlayed in the pavement. To date the Dutch side including the Hotel Terrace, Maaskant Pavilion, vent Funnels, playground and intimate Dutch gardens is complete. despite regular dockings of American warships the narrative landscape on the American side of the Dutch-Amerika border remains unexecuted.

Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Christian Richters
Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Christian Richters
Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Christian Richters
Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Christian Richters
Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Plan_Pavillon
Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Christian Richters
Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Christian Richters
Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Siteplan_Lageplan
Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Plan
Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Sketch_Skizze_Peter Wilson
Prison Library_JVA Buecherei_Munster_Collage

Prison Library

Detail

TYPOLOGY: Library

COUNTRY: German

CITY: Münster

YEAR: 2005

GFA: 80 sqm

CLIENT: Justizvollzugsanstalt Münster

AWARDS: Library of the Year Prize (German Library Association + the ZEIT Foundation)

PHOTOS: © BOLLES+WILSON

In 2007 the German Library Association together with the ZEIT Foundation awarded the ‚Library of the Year Prize‘ to the small but significant Prison Library in Münster (concept BOLLES+WILSON, implementation prisoners). The jury praised the exemplary, user-friendly and new interpretation of library functions and the atmosphere, an estranged relative of the nearby City Library (BOLLES+WILSON 1987–93). The single library room, jammed in the ‚armpit‘ between two Panopticon wings is simply furnished with shelves and counters in ‚optimistic‘ wood and friendly colours. Facing mirrors above and adjacent to the shelves multiply the original triangular room into a kaleidoscopic virtual hexagon. The prison in its entirety is optically reduced to a small central pavilion. Reading as transcendence or Borges‘ infinite ‚Library of Babel‘ are the unavoidable message. A leaf motive on ceiling and walls, like the new furniture, is the handwork of the prisoners themselves.

Prison Library_JVA Bücherei_Munster_Photo_Foto
Prison Library_JVA Bücherei_Munster_Photo_Foto
Prison Library_JVA Bücherei_Munster_Aerial View_Luftbild
Prison Library_JVA Bücherei_Munster_Idee
Prison Library_JVA Bücherei_Munster_Photo_Foto
Prison Library_JVA Bücherei_Munster_Plan_Grundriss
Prison Library_JVA Bücherei_Munster_Mirrors_Spiegel
Prison Library_JVA Bücherei_Munster_Leafs_Blaetter
Prison Library_JVA Bücherei_Munster_Sketch_Skizze

NEW HIT – Hotel International Tirana

Detail

TYPOLOGY: Hotel

COUNTRY: Albania

CITY: Tirana

YEAR: 2016-2025

ARCHITECTS: BOLLES+WILSON with Atelier 4

PHOTOS: © BOLLES+WILSON

New HIT was the working title of this project for the Albanian investor Mr. Ram Geci – it has now been franchised to the INTERCONTINENTAL hotel chain.

THINNESS – The gold New HIT façade terminates Tirana’s central axis, the result of a 1930s regulatory plan by Geheraldo Bossio and Fernando Poggi (Italian occupation).
THINNESS – The hotel is adjacent to the grand and elegant 2017 Scanderbeg Square by the Belgians 51N4E.
THINNESS – in the east and west elevations the hotel is read as two thin slabs - black to the north and gold to the south.
LAYERING – the black slab backs the gold façade, in front of this stands the white Hotel Tirana (the tallest building in Albania under Communism). To the left is the Albanian National Museum (a gift from Russia). To the right even MDRDV’s Skanderbeg (national hero) glances sideways wishing he also could be golden.
EVOLUTION - First sketches engendering the 2 slab sandwich concept.
EVOLUTION - Inverted `V´ windows originally occupied the south façade.
EVOLUTION - These at night became a woven golden curtain.
EVOLUTION - Inverted `V´ windows with projecting cowl (sun screening)
EVOLUTION - Illuminated gold curtain - with double windows.
EVOLUTION - Windows taking in two hotel rooms are marshalled into rectangular cassettes.
EVOLUTION - WINDOW DECLINATION - Like Lucretian Clinamen the windows are in flux, swerving out of alignment with the gold façade which each illuminates with its concealed LED strip (left hand window surround).
EVOLUTION - Window details - the central coloured panels screen ventilation slits to two hotel rooms.
EVOLUTION - Ordered windows -Tirana jumble - grand mountains.
LOST IN TRANSLATION - An eight year evolution from initial concept to grand physical object is an act of translation. It is thus inevitable that certain generative ideas are lost in translation.
LOST IN TRANSLATION - The Hotel Lobby Sketch was instrumental in getting the Prime Minister’s approval, it survived much of the journey but not the appearance of an Italian interior designer who arrived when the 5 Star hotel was franchised to the INTERCONTINENTAL chain.
LOST IN TRANSLATION - This was also the fate of the BOLLES+WILSON conference hall, also the initial room gestalt.
Another Lost in Translation victim was rooftop terraces - too windy 100m up.
LOST IN TRANSLATION - The late arrival of a Casino almost engendered a gold and red staircase balanced over car park ramps.
LOST IN TRANSLATION - As Louis Kahn once noted – the drama of a building’s making is lost when complete. For the New HIT tower construction (as always) first went dramatically downwards.
When finished a tower becomes a family member in an emerging URBAN COLLAGE. From left to right – BOLLES +WILSON, MDRDV, CEBRA, Alejandro Aravena (Elemental), BOLLES+WILSON’s under construction Bazaar Gate (in the backseat).
Warendorf Strasse, WLV offices, Münster, muenster, Christian richters, Büros

WLV Office Building

Detail

TYPOLOGY: Office

COUNTRY: Germany

CITY: Münster

YEAR: 1995

COMPETITION: 1992, First prize

GFA: 7.200 sqm

CLIENT: WLV

AWARDS: German Architecture Award 1996, commendation

PHOTOS: © Christian Richters

The reflective surface of the ‘dark green glazed’ brick animates a monolithic self-focusing form. An ambiguous surface alternating between the brilliance of the sky or the depths of black shadow. Mass is also the subject, a single building block in the urban fabric. A block further animated by the vectorial trajectory of the adjacent railway which instigates a façade curve and lean. A relatively simple slippage whose justification lies not in its formal but its tectonic resolution. Each brick course slips out one cm from the one supporting it. For the train traveller the WLV building is an event of a few seconds, its deflection perhaps only the effect of speed, its roof perhaps only temporarily hovering.

The three floors and 7.000 sqm of offices house a branch of local government that deals with the administration of psychiatric services. Shops on the ground and rooftop canteen-restaurant complete the sandwich. A specified planning module of 1.625 m results in a deep precast concrete fin on each axis, visible structure in unpainted concrete defining a window zone for heating, cable canals and glare blinds. From inside window frames disappear behind fins, to the south sun screens extend the internal ceiling line beyond the window. Systematised cellular offices are animated by contextual deflexions in the overall plan form, resulting in serpentine office strips, floating service islands, the ‘elastic plan’. Not high but low-tech is here and in the entire building thematizing, the simple, the well made, the long lasting.

Warendorf Strasse, WLV offices, Münster, muenster, Christian richters, Büros
Warendorf Strasse, WLV offices, Münster, muenster, Christian richters, Büros
Warendorf Strasse, WLV offices, Münster, muenster, plan, ground floor, grundriss, Büros
Warendorf Strasse, WLV offices, Münster, muenster, Christian richters, Büros
Warendorf Strasse, WLV offices, Münster, muenster, Christian richters, Büros
Warendorf Strasse, WLV offices, Münster, muenster, Christian richters, Büros
Warendorf Strasse, WLV offices, Münster, muenster, Christian richters, Büros
Warendorf Strasse, WLV offices, Münster, muenster, Christian richters, Büros
Warendorf Strasse, WLV offices, Münster, muenster, Christian richters, Büros
Warendorf Strasse, WLV offices, Münster, muenster, zeichnung, Isometrie, isometry, drawing, Büros
Warendorf Strasse, WLV offices, Münster, muenster, Modell, model, Büros
Warendorf Strasse, WLV offices, Münster, muenster, zeichnung, Isometrie, isometry, drawing, sketch, Skizze, Büros
Warendorf Strasse, WLV offices, Münster, muenster, zeichnung, lageplan, siteplan, site, drawing, Büros
Warendorf Strasse, WLV offices, Münster, muenster, zeichnung, sketch, Skizze, Aquarell, Peter Wilson, Büros
Bernhardstrasse, Münster, Christian Richters

Bernhardstrasse

Detail

TYPOLOGY: Residential

COUNTRY: Germany

CITY: Münster

YEAR: 1997

GFA: 4.950 sqm

CLIENT: LVM Versicherungen

PHOTOS: © Christian Richters

A knitting together of street lines and block interior in a modest scaled residential district. The theme is more Vitruvius’ comoditas than grand or explicit architectural narrative. Street lines, precise boundaries between public and private realms are anchored with a solid dark, oil-fired, almost industrial and implicitly north German brick plinth. In contrast the upper floors in white plaster transcend this intentional massivity through their material and geometric abstraction. The two layers dovetailed together framing private terraces and necessary setbacks.

The 26 apartments are vertically ordered. Small units suitable for elderly occupants or studio apartments with garden below, the larger first floor apartments have generous balconies while the upper two floors are organised as maisonettes. An urbane facilitating of daily life is in the interiors and layout achieved with a reduced material palette – wood, stone, plaster.

Bernhardstrasse, Münster, Christian Richters
Bernhardstrasse, Münster, Christian Richters
Bernhardstrasse, Münster, Christian Richters
Bernhardstrasse, Münster, Modell, model
Bernhardstrasse, Münster, drawing, isometrie, Zeichnung, isometry