TYPOLOGY: Retail
COUNTRY: Germany
CITY: Munich
YEAR: 2016
GFA EXISTING: 4.047 sqm
GFA NEW: 755 sqm
CLIENT: Möbelum Zentral GmbH
PHOTOS: © Florian Holzherr
Möbelum furniture outlet – a new facade for an existing industrial building/furniture showroom.
The stacked cassettes of the display facade integrate existing office windows.
TYPOLOGY: Competition / Area development / Masterplan
COUNTRY: Italy
CITY: Naples
YEAR: 2020
COMPETITION: Closed competition
COLLABORATORS: OTTAVIANI ASSOCIATI, GREENCURE landscape & healing gardens, Gianluca Peluffo&Partners Architettura srl, Nicola Gallinaro
The proposal is based on two complementary strategic choices: the interpretation of the park as a green flow, made up of a great variety of landscapes within which there are clearings that welcome the various episodes of industrial archeology, and the redesign of the seafront in continuity up to the island of Nisida, making it possible to expand the space for the beach and the Porto Turistico.
TYPOLOGY: Office
COUNTRY: Germany
CITY: Münster
YEAR: 2004
COMPETITION: 2001, First prize
CLIENT: Wohn und Stadtbau GmbH
PHOTOS: © Christian Richters
Entering the city from the north, a straight road, at the apex of its perspectival triangle a silhouette of cathedral and other church towers. Progressing into this picture, slightly downhill the view is gradually obscured, the outer traffic ring crossed.
The next 500 m rise, not a dramatic topography but enough to awaken expectation – ‘up there I will be in the city’. Buildings on the right enclose and to some extent counteract the latent drama of this ascent, this arrival. The left is undergoing a transformation, a re-configuring, a chance for a modulated roofline to enhance topographic character.
This is the intention of the sculpted silhouette of the new offices of the ‘Wohn+Stadtbau’ Housing Association. Its crest location is critical. The structured plaster façades of both volumes do not just echo but enhance site topography and the drama of entrance.
Entering the building involves a counter and smaller scale spatial sequence. The building front steps back from the heavily trafficked street to a transparent foyer. The ground floor facilitates intensive visitor traffic, waiting spaces extend into the internal court and playground.
TYPOLOGY: Office
COUNTRY: Germany
CITY: Ahlen
YEAR: 2007
GFA: 550 sqm
CLIENT: Franz Kaldewei GmbH & Co. KG
PHOTOS: © Rainer Mader, Christian Richters
The small ‘signalising’ pavilion re-focuses and re-orients the visitors entrance to the main Kaldewei production plant. The pavilion stands like a bookend in relation to the original 1930s Works Facade of the leading manufacturer of enamel steel bathtubs. It connects to new reception spaces within the existing structure and to a planned administration wing.
The mass of the stone-clad volume projects acrobatically. Structural dexterity is not the issue, mass is here co-opted as a silent, announcing presence. The lobby behind is carved out of the existing volume. Meeting rooms hover above the entrance, the white stone of the new facade extends inwards as lobby floor and wall material. A steel spiral stair stands centre-stage and backlit by a dematerialised ‘Light Wall’. After the spatial expansion of the lobby, lower ceilings and an emphasized materiality of wood panels introduce a contrasting intimacy. The ‘Actor Stair’ leads the visitor through a short but complex spatial sequence. The spatial and material language here is closely related to that of BOLLES+WILSONs first Kaldewei building. – the nearby KKC (Competence Centre) 2003-2005.
TYPOLOGY: Residential
COUNTRY: The Netherlands
CITY: Hengelo
YEAR: 2005
GFA: 25.000 sqm
PARTNER: Bureau Boukunde, Rotterdam
PHOTOS: © BOLLES+WILSON
While paying our last respects to the soon to be demolished V&D department store in Hengelo we revisited our 2005 housing ensemble around the corner.
CITADEL + THRINON
(formally known as THIEMSLAND)
BOLLES+WILSON 1998–2005
Generous balconies in the three Citadel buildings overlook the expansive park.
Balcony planting signals happy occupants (blocks J + I)
Like all BOLLES+WILSON projects, the (then called) Thiemsland choreography
began with a hand sketch