TYPOLOGY: Office, shopping, gastronomy
COUNTRY: Albania
CITY: Tirana
YEAR: 2008
ARCHITECTS: BOLLES+WILSON with Studio Comi
PHOTOS: © BOLLES+WILSON, © Ernest Ferizi
What is now known as the COIN Tower originally had the working title Polychromic Tower during planning. It was completed in 2008, in the final years of then-mayor Edi Rama’s façade-coloring program, which aimed to give a new face to the grey, post-communist city. BOLLES+WILSON were asked by the mayor to find an acceptable façade design for the already-under-construction tower. It was built without a crane, with concrete carried up on the workers’ backs. It features a Coat of Many Colours of sun louvers wrapping its somewhat irregular silhouette – unfortunately, only half of these arrived from the Turkish supplier. As the first post-communist tower, it soon became Tirana’s hub of luxury shopping.
TYPOLOGY: Competition / School
COUNTRY: German
CITY: Gescher
YEAR: 2023
COMPETITION: Closed competition, 3rd Prize
COLLABORATOR: wbp Landschaftsarchitekten GmbH, Bochum
GFA: 4.117 sqm
CLIENT: Glockenstadt Gescher
The design carefully combines the historic building fabric with a modern extension. The existing façades are preserved and linked by a central, wedge-shaped structure that forms the heart of the school with its cafeteria, auditorium, and foyer.
All areas are fully accessible, with outdoor spaces clearly defined: a large playground to the north, a nature-oriented learning zone to the southwest, and a green entrance courtyard to the southeast. The foyer serves as a central meeting point and hub, connecting classrooms, multipurpose spaces, and flexible learning areas.
The new building respects the historic architecture while reinterpreting its language in a contemporary way—creating a school that is open, functional, and identity-shaping for students, staff, and the city of Gescher.
TYPOLOGY: Residential
COUNTRY: Germany
CITY: Münster
YEAR: 2013
GFA: 140 sqm
CLIENT: (private)
PHOTOS: © Christian Richters
Small is beautiful (+ energy efficient) – compact 140 sqm private house with outstanding ‘sustainability credentials’.
Plastered monolithic insulating ‘Poroton’ brick walls, triple glazing and a deep bore heat exchange pump lead to a non-fossil fuel energy classification (KFW 70) – 30 per cent below the current energy regulation.
TYPOLOGY: Masterplan
COUNTRY: The Netherlands
CITY: Amersfoort
YEAR: 2008
GFA: 60.000 sqm
CLIENT: AM Vastgoed, Gouda / City of Amersfoort
Direct Planning Commission (City of Amersfoort) 2003
The Eemcentrum is a new cultural, leisure and residential quartier directly adjacent to the historic city centre. Cinema, housing and commercial components in combination with new city library, art school and pop podium face a conical and sloped square/garden which expands perspectively over its 200 m length. This scenographic choreography developed by BOLLES+WILSON constitutes the aesthetic and legal masterplan for the individual building commissions. Peter Wilson was also planning supervisor monitoring and coordinating the architectural development of the urban ensemble.
Eemblock – O’Donnell + Tuomey
Row Houses – Drost + van Veen
Cinema – Koen van Velsen
Shopping/Housing/Offices – Mecannoo
Library/Art School/Pop Podium – Neutelings Riedijk
Landscaping – Sant en Co
TYPOLOGY: Public
COUNTRY: Albania
CITY: Korça
YEAR: 2019
PHOTOS: © Roman Mensing, Olgert Maxhe, BOLLES+WILSON
1) The conversion of the communist library on Bulevard Shën Gjergji was a parallel project to the construction of the (BOLLES+WILSON) New Library facing the new Cathedral Square. – These are all pieces of the puzzle that adds up to the BOLLES+WILSON Masterplan for the centre of the city of Korça.
2) The re-design introduced a new balcony to synthesise a previously uncomfortable Junction of marble columns and the white box upper floor. The perforated balustrade facilitates victorious football teams or the mayor addressing his public.
3) The four large windows to the balcony received new sliding sun screens. We are here only a stone’s throw from the BOLLES+WILSON 2014 Red Bar in the Sky.
4) The communist library was on the site of a demolished church – the façade geometry of this absent building had already been embossed into the paving (rotated on its ground line) with the pedestrianizing of Boulevard Shën Gjergji (BOLLES+WILSON Masterplan stage 1). This embedded history is now to be read in lasered text in Albanian (black on white) or English (white on black) on the new entrance ramp wall (the axis of rotation for the reanimated church geometry).
5) The old library interior is emptied for a spacious ‘one stop shop’ (public information). Here existing tiles and the wide span coffered ceilings are thematized (colour + integrated air outlets), the existing theatrical stairs gets a pink backdrop with scattered windows. (6+7)
6) Here existing tiles and the wide span coffered ceilings are thematized (colour + integrated air outlets).
7) The existing theatrical stairs gets a pink backdrop with scattered windows.
8) Part of the entrance level floor was removed for a stair that leads down to the new council chamber.
9) White public information islands are divided from individual offices by a lightweight glass wall.
10) Dividing – the council chamber from the Lobby. A translucent screen of green wine bottles was inserted between existing structural beams.
11) The floor slab removed for the council chamber creates a grand salon for political debate. Councillors desks are white, the visitors balcony pink (12+13)
14) Wine bottles set in mortar give an underwater ambience to council chamber.
15) Their open necks function as acoustic absorbers.
16) Councillors’ benches focus on the mayor’s desk, this is backed by a wooden screen with the double eagle Albanian national symbol.
17) Our client, the mayor Sotiraq Filo
18) A high clearstory window lights from the side
19) Next door to the new city hall an existing building (nineteenth century eclecticism) has been carefully restored for the offices of the mayor and his staff. It connects directly to the council chamber via a submerged tunnel (steps above). (19)
20) Within the mayors building – no architectural interventions were needed. It only remained for BOLLES+WILSON to apply a radical polychromy. (20,21,22,23)