two harbour buildings_hafenweg 14 und 16_munster_photo

2 Harbour Buildings

Detail

TYPOLOGY: Office

COUNTRY: Germany

CITY: Münster

YEAR: 2006

GFA No. 14: 6.400 sqm

GFA No. 16: 5.000 sqm

CLIENT: LVM Versicherungen, Julia B. Bolles-Wilson, Peter Wilson

PHOTOS: © Rainer Mader, Christian Richters

Like its big brothers in Rotterdam, Hamburg, London or Genoa, Münsters canal harbour (released from servitude) is in the process of becoming – but what – a new urban quartier, bar and café mile, victim of city-event culture or melancholic post-industrial hangout for artists and architects.

No. 14 and No. 16 like their warehouse predecessors are ambivalent as to exactly what goods or activities they host. Deep (22 m) loft plans facilitate a multitude of layouts. Facades on the other hand are specific, material and character giving.

No. 14, a sharply sculptured orange end building turns out on close inspection to be a stack of bricks close-packed in North-South direction (heads to harbour and street, sides to the end walls), an overt tactility eclipsed by flush mounted sun blinds. Seen from afar the overall volume has photoshop-like graphic quality, a designed lack of depth.

A ballet of sun-louvers also animates the South harbour-facing and predominately glass facade of No. 16. A stepped curtain creating (on sunny days) an intermediate zone between inside and out. Without the obligation of transparency (harbour panorama) or sun protection (North) the street facade of No. 16 conjures a tapestry of muted anodised colour, generous glass squares and 3D projections.

Morse code: The attentive viewer will also discover a 3 cm high ‘dot-dash’ inscription on the lower verge of each balcony, the work of the Dutch artist Milou van Ham. Old Barge Captains and ‘persevering school classes’ will decipher the text:

good day! you are (now) reading a building (2005- ) by BOLLES+WILSON (1980- ). you are (now) reading an artwork (2005- ) by milou van ham (1964- ). you are (now) reading morse-code (1837-2000) by samuel morse (1791-1872). you are (now) in the harbour (1898-2005- ) of muenster (793- ). end

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Street facing façade of No. 14
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Street facing façade of No. 16
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Entrance No. 16
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Central access area No. 16
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Inside the cantilever extension No. 16
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Exemplary office No. 16
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Ground floor plan
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Standard floor plan
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Siteplan
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Harbour facing façade with closed sun shades
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Harbour facing façade with open sun shades
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Balcony façade detail
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Morse code
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South elevation
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North elevation
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Façade principle
Mittehafen_Munster_Aerzteversorgung_Competition

Mittelhafen

Detail

TYPOLOGY: Competition / Office

COUNTRY: German

CITY: Münster

YEAR: 2020

COMPETITION: Closed competition, 2nd Prize

GFA: 12.740 sqm

CLIENT: Ärzteversorgung Westfalen-Lippe

Both the property side facing the city port and the street side to “Am Mittelhafen” require representative façades. Therefor a building in the north-south axis is required, which fills the property over the entire length. The two narrow views speak a suitably dignified language – to the waterfront through an invigorating silhouette that adds a building with personality to the row of existing office buildings. The opposite side facing the street is emphasized by an expressive façade – in contrast to the buildings in the immediate vicinity, which do not have such a concise addresses. This gives the quarter a much needed “urban flair”.

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Mittehafen_Munster_Aerzteversorgung_Competition
Mittehafen_Munster_Aerzteversorgung_Competition_Elevation_Ansicht
Mittehafen_Munster_Aerzteversorgung_Competition_Plan_Grundriss
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Mittehafen_Munster_Aerzteversorgung_Competition

BRINK CENTRE – HENGELO

Detail

TYPOLOGY: Masterplan
COUNTRY: The Netherlands
CITY: Hengelo
YEAR: 1998
COMPETITION: 1995
CLIENT: ING VASTGOED
PARTNER: Bureau Boukunde, Rotterdam
PHOTOS: © Christian Richters, BOLLES+WILSON

Vroom & Dreesmann – A big shed department store lands in Hengelo NL in 1998

BOLLES+WILSON won the competition with a choreographed ensemble of heterogeneous objects:

  • A shopping passage with housing above
  • A department store (Vroom & Dreesmann)
  • A Klok Tower – which anchors both the BRINK ensemble and the Hengelo market square
Three Tower Alchemy

digital klok – market day

THE SHORT LIFE OF A DIGITAL KLOK:
The BRINK campanile (Klok) forms a triangle with city hall + church towers. After 10 years the Klok came down with digital Alzheimer's. BOLLES+WILSON were asked for an avatar. The gold angel (local artist) blowing a raspberry in the direction of Enschede survived.

The 5 floors of housing above the shopping passage have cosy wood paneled internal balcony access
left - V&D shed, right - housing
The large plate carpark below V&D + passage at the time won the Dutch – underground parking garage of the year award

The market square has now undergone green washing, also the klok tower – we hope!!
(on the right – the condemned V&D)

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House P

Detail

TYPOLOGY: Residential

COUNTRY: Germany

CITY: Münster

YEAR: 2013

GFA: 140 sqm

CLIENT: (private)

PHOTOS: © Christian Richters

Small is beautiful (+ energy efficient) – compact 140 sqm private house with outstanding ‘sustainability credentials’.

Plastered monolithic insulating ‘Poroton’ brick walls, triple glazing and a deep bore heat exchange pump lead to a non-fossil fuel energy classification (KFW 70) – 30 per cent below the current energy regulation.

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house p, haus p, münster, christian richters
house p, haus p, münster, christian richters
house p, haus p, münster, christian richters
house p, haus p, münster, christian richters
house p, haus p, münster, christian richters
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house p, haus p, münster, floorplan, obergeschoss, 1st floor
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NEW HIT – Hotel International Tirana

Detail

TYPOLOGY: Hotel

COUNTRY: Albania

CITY: Tirana

YEAR: 2016-2025

ARCHITECTS: BOLLES+WILSON with Atelier 4

PHOTOS: © BOLLES+WILSON

New HIT was the working title of this project for the Albanian investor Mr. Ram Geci – it has now been franchised to the INTERCONTINENTAL hotel chain.

THINNESS – The gold New HIT façade terminates Tirana’s central axis, the result of a 1930s regulatory plan by Geheraldo Bossio and Fernando Poggi (Italian occupation).
THINNESS – The hotel is adjacent to the grand and elegant 2017 Scanderbeg Square by the Belgians 51N4E.
THINNESS – in the east and west elevations the hotel is read as two thin slabs - black to the north and gold to the south.
LAYERING – the black slab backs the gold façade, in front of this stands the white Hotel Tirana (the tallest building in Albania under Communism). To the left is the Albanian National Museum (a gift from Russia). To the right even MDRDV’s Skanderbeg (national hero) glances sideways wishing he also could be golden.
EVOLUTION - First sketches engendering the 2 slab sandwich concept.
EVOLUTION - Inverted `V´ windows originally occupied the south façade.
EVOLUTION - These at night became a woven golden curtain.
EVOLUTION - Inverted `V´ windows with projecting cowl (sun screening)
EVOLUTION - Illuminated gold curtain - with double windows.
EVOLUTION - Windows taking in two hotel rooms are marshalled into rectangular cassettes.
EVOLUTION - WINDOW DECLINATION - Like Lucretian Clinamen the windows are in flux, swerving out of alignment with the gold façade which each illuminates with its concealed LED strip (left hand window surround).
EVOLUTION - Window details - the central coloured panels screen ventilation slits to two hotel rooms.
EVOLUTION - Ordered windows -Tirana jumble - grand mountains.
LOST IN TRANSLATION - An eight year evolution from initial concept to grand physical object is an act of translation. It is thus inevitable that certain generative ideas are lost in translation.
LOST IN TRANSLATION - The Hotel Lobby Sketch was instrumental in getting the Prime Minister’s approval, it survived much of the journey but not the appearance of an Italian interior designer who arrived when the 5 Star hotel was franchised to the INTERCONTINENTAL chain.
LOST IN TRANSLATION - This was also the fate of the BOLLES+WILSON conference hall, also the initial room gestalt.
Another Lost in Translation victim was rooftop terraces - too windy 100m up.
LOST IN TRANSLATION - The late arrival of a Casino almost engendered a gold and red staircase balanced over car park ramps.
LOST IN TRANSLATION - As Louis Kahn once noted – the drama of a building’s making is lost when complete. For the New HIT tower construction (as always) first went dramatically downwards.
When finished a tower becomes a family member in an emerging URBAN COLLAGE. From left to right – BOLLES +WILSON, MDRDV, CEBRA, Alejandro Aravena (Elemental), BOLLES+WILSON’s under construction Bazaar Gate (in the backseat).